This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh. But the "word become flesh" is not, or no longer, a theological already-given. It is a millennial goal or telos toward which each text strives. Both witty and immensely erudite, Jacques Ranciere leads the critical reader through a maze of arrivals ...(展开全部)

This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh. But the "word become flesh" is not, or no longer, a theological already-given. It is a millennial goal or telos toward which each text strives. Both witty and immensely erudite, Jacques Ranciere leads the critical reader through a maze of arrivals ...(展开全部)

"I am the enfant terrible of literature and science. If I cannot, and I know I cannot, get the literary and scientific big-wigs to give me a shilling, I can, and I know I can, heave bricks into the middle of them." With The Way of All Flesh, Samuel Butler threw a subversive brick at the smug face of Victorian domesticity. Published in 1903, a year after Butler's death, the nove...(展开全部)

"I am the enfant terrible of literature and science. If I cannot, and I know I cannot, get the literary and scientific big-wigs to give me a shilling, I can, and I know I can, heave bricks into the middle of them." With The Way of All Flesh, Samuel Butler threw a subversive brick at the smug face of Victorian domesticity. Published in 1903, a year after Butler's death, the nove...(展开全部)

This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh. But the "word become flesh" is not, or no longer, a theological already-given. It is a millennial goal or telos toward which each text strives. Both witty and immensely erudite, Jacques Ranciere leads the critical reader through a maze of arrivals ...(展开全部)

This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh. But the "word become flesh" is not, or no longer, a theological already-given. It is a millennial goal or telos toward which each text strives. Both witty and immensely erudite, Jacques Ranciere leads the critical reader through a maze of arrivals ...(展开全部)

田纳西•威廉斯（Tennessee Williams，1911—1983），美国二十世纪最伟大的剧作家之一，与尤金•奥尼尔、阿瑟•米勒并称为美国戏剧三大家，同时也是全世界范围内作品流传最广的美国文学大师之一——主要通过舞台剧演出，尤其是电影。他一生创作了六十余部戏剧、小说和诗歌作品，以心理深度、象征手法和南方哥特风格著称，1948年和1955年分别以《欲望号街车》和《热铁皮屋顶上的猫》两度赢得普利策奖和纽约戏剧评论奖，《玻璃动物园》和《鬣蜥之夜》也分别于1945年和1961年拿下纽约戏剧评论奖，1952年《玫瑰文身》获得托尼奖最佳戏剧奖，1979年荣获肯尼迪中心荣誉奖（终身成就奖）。 田纳西•威廉斯一生饱受抑郁症、酗酒与药物成瘾的困扰，但他将痛苦转化为创作动力，他说：“写作是我能想象的最根本的救赎之道。”他以诗意的语言、深刻的同理心与无畏的真相揭示，...(展开全部)

Collected here are ten superb tales by today's master of the seemingly impossible crime, the Frenchman Paul Halter. Coffins dancing in a hermetically sealed crypt, a tunnel that murders people, a werewolf killer who leaves no trace on the snow, a victim killed by an invisible hand at the top of a guarded tower, a homicidal snowman that kills in front of witnesses... There canno...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

Collected here are ten superb tales by today's master of the seemingly impossible crime, the Frenchman Paul Halter. Coffins dancing in a hermetically sealed crypt, a tunnel that murders people, a werewolf killer who leaves no trace on the snow, a victim killed by an invisible hand at the top of a guarded tower, a homicidal snowman that kills in front of witnesses... There canno...(展开全部)